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Image: Allan Warren Fifty years ago, when Martin Luther King, Jr., was assassinated, a devastated James Baldwin made a final attempt to reconcile the generational divide between the civil rights movement and Black Power.This essay is featured in Boston Review’s print issue, Fifty Years Since MLK. Order your copy today.On the afternoon of April 4, 1968, James Baldwin was relaxing by the pool with actor Billy Dee Williams in a rented house in Palm Springs. Columbia Pictures had put Baldwin up there after commissioning him to write a film adaptation of Alex Haley’s The Autobiography of Malcolm X (1965); Williams was Baldwin’s pick to play Malcolm. The men were listening to Aretha Franklin when the phone rang. Upon hearing the news that Martin Luther King, Jr., had been assassinated, Baldwin collapsed in Williams’s arms.King’s murder made Baldwin feel like the last person capable of bridging the divide between his generation and younger activists. In a way he considered very un-American, Baldwin understood that generations depend upon each other.Baldwin had known King since 1957, when the two had met in Atlanta. They had seen each other twice in the previous weeks. Both spoke at Carnegie Hall on February 23 in honor of W. E. B. Du Bois. For the event, Baldwin read aloud from his defense of the Black Power activist Stokely Carmichael, an essay that had recently also been published in the Manchester Guardian. And on March 16, along with Marlon Brando, Baldwin introduced King at a fundraiser at Anaheim’s Disneyland Hotel.In Baldwin’s estimation, King was struggling to guide what remained of the Freedom Movement, contending with the growing appeal of younger militants such as Carmichael while traveling nonstop to support nonviolent action wherever it showed promise. The Freedom Movement had always been chaotic. But by 1968 it was a volatile tumble of organizations, personalities, and philosophies. All were entangled in an increasingly violent culture, one Baldwin had been warning the country about since the early 1960s, mo... (Boston Review)

Image: Allan Warren Fifty years ago, when Martin Luther King, Jr., was assassinated, a devastated James Baldwin made a final attempt to reconcile the generational divide between the civil rights movement and Black Power.This essay is featured in Boston Review’s print issue, Fifty Years Since MLK. Order your copy today.On the afternoon of April 4, 1968, James Baldwin was relaxing by the pool with actor Billy Dee Williams in a rented house in Palm Springs. Columbia Pictures had put Baldwin up there after commissioning him to write a film adaptation of Alex Haley’s The Autobiography of Malcolm X (1965); Williams was Baldwin’s pick to play Malcolm. The men were listening to Aretha Franklin when the phone rang. Upon hearing the news that Martin Luther King, Jr., had been assassinated, Baldwin collapsed in Williams’s arms.King’s murder made Baldwin feel like the last person capable of bridging the divide between his generation and younger activists. In a way he considered very un-American, Baldwin understood that generations depend upon each other.Baldwin had known King since 1957, when the two had met in Atlanta. They had seen each other twice in the previous weeks. Both spoke at Carnegie Hall on February 23 in honor of W. E. B. Du Bois. For the event, Baldwin read aloud from his defense of the Black Power activist Stokely Carmichael, an essay that had recently also been published in the Manchester Guardian. And on March 16, along with Marlon Brando, Baldwin introduced King at a fundraiser at Anaheim’s Disneyland Hotel.In Baldwin’s estimation, King was struggling to guide what remained of the Freedom Movement, contending with the growing appeal of younger militants such as Carmichael while traveling nonstop to support nonviolent action wherever it showed promise. The Freedom Movement had always been chaotic. But by 1968 it was a volatile tumble of organizations, personalities, and philosophies. All were entangled in an increasingly violent culture, one Baldwin had been warning the country about since the early 1960s, mo... (Boston Review)